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The Flying Dutchman

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The Flying Dutchman
From 28 April to 23 May 2012 - London Coliseum
 
Last year’s performances of Wagner’s final opera, Parsifal, were hailed as ‘a staging that is as good as any Wagner seen in London in the last 20 years’ (The Guardian). Now ENO presents his earliest masterpiece, The Flying Dutchman, in a new production by Jonathan Kent, formerly at London’s cutting-edge Almeida Theatre and now a successful opera director in demand from Santa Fe to St Petersburg.
 
Edward Gardner, ENO’s Olivier Award-winning Music Director, conducts his first Wagner opera. American bass James Creswell (Timur in 2009’s Turandot) stars as the legendary ship’s captain fated to sail the seas for ever, with Orla Boylan – a ‘radiant’ (Independent on Sunday) Sieglinde in 2004’s The Valkyrie – as Senta, the girl sent to save him.
 
Running time: 2h 15min
 
Buy best seats tickets for The Flying Dutchman Opera at London Coliseum (London, UK) from 28 April to 23 May 2012 with Premier Events. To book your The Flying Dutchman Opera tickets, call 020 7283 4040 or book your ticket online.
 
The Flying Dutchman Opera Tickets | English National Opera Tickets | London Coliseum Tickets

Event Venue Date  
The Flying Dutchman Coliseum - London, GB Wed 23/05/2012 19:30  

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With Darren Aronofsky's film Black Swan annoying dance fans with its so-so dance scenes, it's a relief to see a real Swan Lake in all its theatrical and choreographic unity. Having Zenaida Yanowsky in the ballet is also a considerable plus. The senior Royal Ballet dancer has been less seen in recent years, having been away having children, but her performance in the twin Swan Lake lead roles of Odette-Odile proved her absence hasn't stalled her artistry.

If anything, her time out has brought a greater range and depth to her dancing and acting. Her Odile, the dark-hearted black swan who deceives the Prince, was especially assured. It's easy to turn the character, and the dancing, into a come-hither vamp who dupes the prince with her blatant sexual availability. The prince, like most men, may be vulnerable to this tactic but he is no fool - and very much in love with the white swan, Odette. Yanowsky's approach is to reel him in with a combination of curve and poise, her back and neck in arching hints of sexual pleasure while her composure combined with a contrived restraint leaves the confused prince especially vulnerable.

Running until April 8th at Royal Opera House. See tickets.

Source: www.thisislondon.co.uk

 

 

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