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Birmingham Royal Ballet - Coppélia

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Birmingham Royal Ballet - Coppélia
From 15 to 18 March 2012, London Coliseum
 
What’s at the heart of a woman? Eccentric toymaker Dr. Coppélius wants to know and he is planning to bring his mechanical doll, Coppélia, to life - he just needs the right spell.
 
When Dr. Coppélius leaves Coppélia on his workshop balcony she causes quite a stir in the village. Particularly in the heart of red-blooded young lover Franz and the jealous mind of his real-life fiancée Swanilda - who has mistaken the mannequin for a crying, talking, sleeping, walking rival.
 
With a wild mix of abracadabra and some mischievous maidens, comic chaos is riotously unleashed when humans and automatons collide in Dr. Coppélius’s spooky toyshop. Peter Wright’s enchanting family friendly production of this joyous and witty ballet is an ever-popular celebration of love, with a sparkling score and breathtaking choreography.

Running time: TBC
 
Buy best seats tickets for Birmingham Royal Ballet at London Coliseum (London, UK) from  15 to 18 March 2012 with Premier Events. To book your Coppélia ballet tickets, call 020 7283 4040 or book your ticket online.
 
Coppélia Ballet Tickets | English National Opera Tickets | London Coliseum Tickets
 

 

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Zenaida Yanowsky as Odette/Odile and Nehemiah Kish as Prince Siegfried 

07/02/11 - RETURN TO SHEER GRACE AND POISE IN SWAN LAKE

With Darren Aronofsky's film Black Swan annoying dance fans with its so-so dance scenes, it's a relief to see a real Swan Lake in all its theatrical and choreographic unity. Having Zenaida Yanowsky in the ballet is also a considerable plus. The senior Royal Ballet dancer has been less seen in recent years, having been away having children, but her performance in the twin Swan Lake lead roles of Odette-Odile proved her absence hasn't stalled her artistry.

If anything, her time out has brought a greater range and depth to her dancing and acting. Her Odile, the dark-hearted black swan who deceives the Prince, was especially assured. It's easy to turn the character, and the dancing, into a come-hither vamp who dupes the prince with her blatant sexual availability. The prince, like most men, may be vulnerable to this tactic but he is no fool - and very much in love with the white swan, Odette. Yanowsky's approach is to reel him in with a combination of curve and poise, her back and neck in arching hints of sexual pleasure while her composure combined with a contrived restraint leaves the confused prince especially vulnerable.

Running until April 8th at Royal Opera House. See tickets.

Source: www.thisislondon.co.uk

 

 

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