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Anna Karenina

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The majority of ENO productions are new. Many of these are created in close collaboration with international partners such as the Metropolitan Opera, New York, ensuring that ENO’s unique work is regularly presented to audiences in the UK and abroad

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Anna Karenina
3 and 4 April 2012, London Coliseum
 
Boris Eifman’s astonishing choreography tells the tale of Tolstoy’s famous literary figure with a visceral energy which makes this production unforgettable.
 
Anna Karenina is among Eifman’s greatest works… relentless in its energy and merciless in its emotional impact
Robert Johnson, Star-ledger
 
Anna Karenina as ballet is a masterpiece, a creation that magnetizes the audience through its two angst-filled acts
Dr. Roberta E. Zlokower
 
Running time: TBC
 
Buy best seats tickets for Anna Karenina Ballet at London Coliseum (London, UK) from  3 and 4 April 2012 with Premier Events. To book your Anna Karenina ballet tickets, call 020 7283 4040 or book your ticket online.
 
Anna Karenina Ballet Tickets | English National Opera Tickets | London Coliseum Tickets
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Zenaida Yanowsky as Odette/Odile and Nehemiah Kish as Prince Siegfried 

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With Darren Aronofsky's film Black Swan annoying dance fans with its so-so dance scenes, it's a relief to see a real Swan Lake in all its theatrical and choreographic unity. Having Zenaida Yanowsky in the ballet is also a considerable plus. The senior Royal Ballet dancer has been less seen in recent years, having been away having children, but her performance in the twin Swan Lake lead roles of Odette-Odile proved her absence hasn't stalled her artistry.

If anything, her time out has brought a greater range and depth to her dancing and acting. Her Odile, the dark-hearted black swan who deceives the Prince, was especially assured. It's easy to turn the character, and the dancing, into a come-hither vamp who dupes the prince with her blatant sexual availability. The prince, like most men, may be vulnerable to this tactic but he is no fool - and very much in love with the white swan, Odette. Yanowsky's approach is to reel him in with a combination of curve and poise, her back and neck in arching hints of sexual pleasure while her composure combined with a contrived restraint leaves the confused prince especially vulnerable.

Running until April 8th at Royal Opera House. See tickets.

Source: www.thisislondon.co.uk

 

 

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